
Hello sculpture lovers! The cold is settling in here in the Southern Hemisphere, where I’m writing from. Autumn is quietly stripping the trees, and the sun seems to be growing lazier by the day. I have to admit, this isn’t my favorite time of year. I grew up on a warm, weather-spoiled tropical island, and I miss it more each time the chill sets in. So, if this newsletter reaches you on the other side of the world—where the sun is shining and you're strolling around in shorts—please soak it in for those of us down here. I’m holding my breath until I can do the same again. 😉 Wherever you are, I hope you're finding time to enjoy what you love. And if that includes sculpting, keep at it—there’s no better way to improve than through steady, joyful practice. Here is the summary of content for this newsletter:
Articles:
In Person Workshops & Online course articles🗞️ First, some interesting thingsIn my mission to keep you inspired and learning, I’ve put together a few helpful resources you might enjoy. Let's first continue our last topic about the legs.This update features a series of articles focused on sculpting the legs. In the first article, I talk about the importance of using solid references and starting with a structured approach. I then move on to the simplification of the figure — a crucial step that helps strip away the complexities of the human body. If you get the structure right, you’ve already solved 50% of the puzzle. Within structure lie proportions, gesture, balance, and weight — all fundamental elements. It might sound basic, but this is the foundation everything else is built upon. Many beginners and even intermediate sculptors tend to do the work or too soft, having problems with stiffness in the pose and unrealistic forms, and many times they focus solely on anatomy, thinking that’s the key to success. While that’s partially true, I don’t fully agree. Without a strong structural base, even well-rendered anatomy can fall flat. Below, you’ll see a simplified figure. In this study, the anatomy and major volumes are all present — but they’ve been reduced to planes and geometric forms, as seen in areas like the knees, ribcage, and more. This is exactly the kind of approach I recommend: a structural simplification that still captures the essence of the human form. Click on the image to watch the full video. Once you’ve established the simplification, a good step to take in your learning process is transitioning from basic structure to simplified anatomy. This stage is not mandatory unless you want to push your skills. Is all about translating anatomical forms into clear, readable shapes that are easy to recognise and replicate. It requires quite a bit of understanding of anatomy — not just knowing where the muscles are, but how to lay them out convincingly in relation to your reference model. In the following video, you’ll notice I exaggerate the anatomical shapes quite a bit. This isn’t merely a stylistic choice — it’s a deliberate strategy to make the structure more visible and easier to grasp. While the figure is in a resting pose — which is great for study — these principles become even more essential when working with dynamic poses, where complexity increases. Click on the image to watch the full video.
If you’re a sculptor — or just getting started with clay modeling — having the right tools can make a world of difference. But did you know you can create your own sculpting tools using simple materials like brass tubes and guitar strings? It’s surprisingly easy: all you need is a thin brass tube and a selection of guitar strings, chosen according to the type of work you plan to do. In my experience, the thickest bass string is especially effective — it creates a great texture and helps smooth out surfaces beautifully, especially when working at smaller scales. In person workshopsSimplified FigureHave you tried sculpting the human figure but didn’t quite get the results you were hoping for?, Struggling with proportions, distortions, stiff poses, or figuring out how to bring balance to your work? If you answered yes to any of these, then this workshop is exactly what you need. Over two days, we’ll cover all the foundational elements: proportions, balance, and movement, while introducing structure, geometry, and the basics of anatomy. The Simplified Figure method is perfect for beginners and a powerful tool for intermediate sculptors looking to gain clarity and confidence. Javier has helped many artists strengthen their sculpting practice, and his experience allows him to guide you no matter where you are on your creative journey. Join us for this 2-day hands-on workshop and build a strong foundation in sculpting the human figure. Auckland weekend 17th & 18th of May. Simplified Figure Otaki weekend 21st - 22nd of June. Simplified Figure. Head Studies If your main focus is the head and face, or if you're facing similar challenges in that area, our Head Studies Workshop is a great fit. In this 2-day session, you’ll explore facial proportions, structure, and simplified methods for sketching the features—all in a relaxed and friendly environment. This is one of our most popular workshops, and for good reason! Otaki weekend 31stof Juen & 1st of May. Head Studies workshop OnlineFigure Sculpting course. Female forms.We’re 70% through the Online Male Figure Course and I’m really looking forward to sharing some of the student work once it's completed. I have to say, I’m genuinely impressed by the progress I’ve seen so far. Sculpting the human figure from scratch—capturing both gesture and proportion—is a big challenge, especially for those with limited experience. So seeing such solid, expressive results from our student is incredibly rewarding. Curious about what’s covered in the course? As announced in the last newsletter, you can get 20% OFF the upcoming Online Female Figure course starting July 5th if you book before the end of May. Bonus: If you’ve taken a workshop with me before, you’ll get an extra 10% off, bringing the total to 30% off. Don’t miss your chance to build skills with a structured, supportive course designed to take your work to the next level. |
Sculpture Studio by Javier Murcia, 41 Percy Cameron St, Lower Hutt Don’t like these emails? Unsubscribe |
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