A Plasticine Series is a range of oil-based clay products designed for sculptors of all levels. It remains malleable indefinitely, never dries out, and is perfect for creating sculptures of any size. While developed for professional use, it is equally suitable for passionate hobbyists and moldmakers.

Formulated in Javier’s studio after years of experimentation, this plasticine meets the specific demands of our workshops and projects, such as our Studio Sessions—5-hour quick sketch sculpting exercises. Its consistency is comparable to high-end products like Chavant’s “Le Beau Touché” and NSP: smooth, slightly greasy to the touch, white in color, with low stickiness— It melts to liquid form and is Non Sulphur.

This clay was born out of a necessity: in New Zealand and Australia, most professional-grade plasticine is imported, making it costly and hard to access. Our solution is a locally produced, high-quality, and cost-effective alternative that competes with the best on the market—without compromising performance.

Custom Orders Available
If you’re a professional needing larger quantities (40 blocks or more), we offer the option to custom-make your order, adjusting the consistency or color to your preferences. Please get in touch with the studio.

A1 SOFT grade plasticine. 900 grs.

This plasticine has been carefully formulated in Javier’s studio to meet the specific needs of our Studio Sessions, where we create quick sketches within a 5-hour timeframe. The formula closely resembles Chavant’s “Le Beau Touché,” offering a similar feel and performance.

It is easy to work with, slightly greasy to the touch, white in color, and has reduced stickiness—making it ideal for medium- to large-format sculptures.

This is a non-sulphur clay that melts to a liquid state, allowing it to be poured into molds when needed. It’s also an excellent material for moldmakers, ideal for building walls, keys, or separation barriers during mold construction.

A2 Medium grade plasticine. 900 grs.

This plasticine has been formulated in Javier’s studio to addapt the need required for hte Studio sessions where we do quick scketches in 5 hours time. This formula feels very close if not almost alike the “Le belle touche from Chavant”. Easy to work with, a bit greasy by feeling, white in color and reduced stickiness, makes it ideal to work on medium to big format sculptures.

This clay in a non sulphur product, melts to liquid form which makes it easy to pour into molds if required and it is great for molmakers to build walls or separations. 

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Recommended High-Quality Sculpting Tools

Here are a few small set of high-quality sculpting tools available from the following stores. These are the kind of tools you’ll likely only need to buy once—if you take good care of them, they can last a lifetime.

From Allec Tiranti ( London):

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From Complete Sculptor (NY)

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You could probably make your own tools by following the advice you can see in the video on this Article. 

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